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Anyway, that's what I thought you were going to reveal as having the technical name "mix minus." Have you ever heard of this? Was that guy just pulling my leg?
One thing, though: in the samples of the music with Brad Sucks (I hope not his real name — "Mr. and Mrs. Sucks, congratulations, it's a boy"), when you flipped the phase of one channel in the stereo playback, I swear I couldn't tell the difference. (I don't doubt there was one.) Then I realized, this is the equivalent of you putting a 1000hz tone in both my ears, but reversing the phase of one channel, and expecting them to cancel each other out IN MY BRAIN. (You didn't try that experiment, but kept the tones mono.) Only in a mono mix were the two channels (one with reversed phase) actually doing something to each other. In the mono mix of the music, the effect was dramatic, and just like I remembered. I think you only really get the cancellation effect in mono. I'm sure that's what my friend did in the 70s with analog gear.
Also, if you guys are recording your podcast double-ended, how did you get Chris to react to the samples? How could he hear them in stereo in Skype? Or did Rob send them to him ahead of time? Just wondering.
As for your other question, we do double end the show & use Skype to talk to each other. Using Dropbox, Rob sent me the files, and when it was time to play them out, he just did a countdown (which he obviously edited out). Everything synched up in the end.